Film Silat Indonesia

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| Merantau | |
|---|---|
| Directed by | Gareth Huw Evans |
| Produced by | Ario Sagantoro |
| Written by | Gareth Huw Evans |
| Starring |
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| Music by | |
| Cinematography |
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| Edited by | Gareth Huw Evans |
PT. Merantau Films | |
| Distributed by | SinemArt |
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| Country | Indonesia |
| Language | |
Merantau, released in some countries as Merantau Warrior, is a 2009 Indonesianmartial artsaction film written, directed and edited by Gareth Huw Evans, and starring Iko Uwais. The film, which marks Uwais' debut as an actor, is the first collaboration between director Evans and star Uwais. It also marks the acting debut of Yayan Ruhian, both of whom Evans met while shooting for a documentary in Indonesia which became his introduction to the Pencak Silat martial art.
The film showcases the Minangkabau tradition of 'Merantau', a rite of passage where a man leaves his home to pursue a career or gain experience outside of the village, a culture where inheritance is largely matriarchal. It showcases Yuda who leaves his village in hopes of teaching Silat in Jakarta, only to be sidetracked as he attempts to save a girl from being kidnapped. The film showcases a style of Silat known as 'Silek Harimau' (Tiger Silat).[1][2] It also features actors Donny Alamsyah and Alex Abbad who, along with Uwais and Ruhiyan, would later appear in Evans' subsequent films in The Raid (2011) and The Raid 2 (2014).
Evans' first major feature film, Merantau premiered at the Puchon International Fantastic Film Festival in South Korea on 23 July 2009, before being released theatrically on 6 August in Indonesia. It won the Jury Award for Best Film at the inaugural 2010 ActionFest in North Carolina.[3]
Plot[edit]
The plot follows Yuda, a Minangkabau from West Sumatra and an expert in silat. As part of the merantau (journeying) tradition, he leaves his home to seek experience and success. He plans to teach silat to the children of Jakarta. On his bus journey, he meets Eric, a fellow exponent of the art. When he hears of Yuda's plan, Eric somberly warns him that the city is quite different from what Yuda is used to, and it will be difficult to make a living teaching the art. (They attend an audition for bodyguards that Eric has heard about. Eric swiftly and decisively defeats his opponent, winning him the job; he asks Yuda to join him, but Yuda, uncomfortable with the situation, declines. - Indonesian version only)
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Yuda finds that the address where he was meant to stay has been torn down, leaving him homeless. His wallet is stolen by a child named Adit; chasing the thief, Yuda then encounters Adit's sister, Astri, arguing with her boss, Johnny. When Johnny begins abusing Astri, Yuda intervenes, but in retaliation Johnny fires Astri, causing her to vent her frustrations on Yuda. The next day, Yuda sees Astri being beaten by Johnny. He intervenes again, only to be overpowered by his thugs. He quickly recovers and saves Astri from Johnny, in the process brutally scarring Johnny's boss, Ratger. Ratger's associate, Luc, tries to calm down Ratger, who vows to stay in the city until he hunts down Astri and Yuda.
Yuda takes Astri and Adit to the construction site where he is staying. Yuda explains why he came to the city and talks about his older brother, who used to always beat him up. Astri explains how her parents abandoned her and Adit a few years ago, and how she has been taking care of them ever since. The next day, Astri and Adit decide to retrieve their savings from their home in an apartment complex. Yuda goes alone to retrieve the money, but is attacked by several of Ratger's thugs sent to guard the building; he manages to defeat them all.
Meanwhile, Astri and Adit are seen by several thugs and chased through the streets. Astri helps Adit to hide before she is kidnapped by several henchmen. Yuda manages to defeat the attackers as he finds Adit. He promises Adit that he'll find his sister and tells him to hide as he sets off. Yuda returns to Johnny's club and dispatches his henchmen, before forcing Johnny to tell him where to find Ratger. Yuda makes his way to an apartment building as Ratger takes Astri upstairs to his room, telling a guard to wait downstairs in case Yuda appears. Yuda enters the elevator and starts to ride upwards only for the elevator to stop and the guard to enter. Yuda realizes the guard is Eric, the man he met on the bus, and Yuda tries to convince him he doesn't have to fight. Eric is ashamed of what he has become, but doesn't feel he has any way out, and they brutally fight in the elevator.
Ratger rapes Astri and takes her to the parking garage, leaving two guards to wait for the elevator. Meanwhile, Yuda defeats Eric, but spares him, declaring that they are not the same. The elevator opens and the two guards pull guns; Eric pushes Yuda to safety, before being killed in a hail of bullets. Yuda sees Ratger and Astri in a car as they leave the parking garage and manages to jump onto another car. At a shipping dock, Ratger puts Astri in a storage container with other women. Yuda appears to Ratger and Luc, who decide to test his skills by having their henchmen fight him. Yuda defeats all the thugs before engaging in a brutal two-on-one fight against both Ratger and Luc. Yuda holds his own against the two until Luc and Ratger arm themselves with a crowbar and metal pipe. Yuda eventually slams a container door onto Luc, causing him to impale himself with the crowbar.
Luc's death throws Ratger into a rage, and he viciously attacks Yuda, pinning him to a shipment container. Yuda gains the upper hand and defeats Ratger, but as with Eric decides not to kill him. Yuda then opens the container, freeing the women. As Yuda and Astri reunite, Ratger attacks from behind, stabbing Yuda in the stomach. Yuda quickly finishes off Ratger before collapsing. After Yuda tells Astri his final wishes, Astri leaves, returning to her brother's hiding place. Astri and Adit eventually go to the countryside and live with Yuda's family. The story then ends with Yuda's mother standing in the doorway of the home watching Adit go to school; her perspective changes as she sees Adit as her son, Yuda.
Cast[edit]
- Iko Uwais as Yuda
- Sisca Jessica as Astri
- Mads Koudal [da] as Ratger
- Laurent Buson as Luc
- Yusuf Aulia as Adit, Astri's brother
- Alex Abbad as Johni, Astri's pimp
- Yayan Ruhian as Eric
- Christine Hakim as Wulan, Yuda's mother
- Donny Alamsyah as Yayan, Yuda's brother
- Ratna Galih [id] as Ayi
Release[edit]
The film premiered at the Puchon International Fantastic Film Festival in South Korea as the opening film of the closing ceremony on 23 July 2009.[4] It was released theatrically on 6 August 2009 in Indonesia. The film made its US debut at the Austin Fantastic Fest on 24 September 2009, where it was nominated for the Audience Award.[5]
It made its Europe debut at the Sitges Film Festival in Spain on 9 October 2009, and in France at the Festival Mauvais Genre on 3 April 2010. It was screened at the inaugural ActionFest on 17 April 2010, where it won the Jury Award for Best Film.[6][7] The jury included the likes of Chuck Norris, Drew McWeeny of HitFix, Todd Brown of TwitchFilm, Devin Faraci of CHUD, and Colin Geddes of TIFF's Midnight Madness.[6]
Critical response[edit]
Merantau received generally positive reviews from film critics.[8][9][10] At the website Rotten Tomatoes, it holds a 62% audience rating, indicating favorable reviews.[11]
Cole Abaius of Film School Rejectscalls the film a 'Mind-exploding action sequences coupled with genuine emotional impact.'[12]
Harry Knowles of Ain't It Cool opines that the film is 'a tremendous martial arts film'; noting it as an 'outstanding' film.[12]
Moises Chiullan of Hollywood Elsewhere wrote that the film is 'one of the more compelling and powerful martial arts films' he has seen.[12]
Andrew Mack, reviewing for Twitch Film, wrote that the film 'is the next great martial arts film to come out and one of the best this past decade.'[12]
Todd Brown, on another review for Twitch Film, praises the film by saying that it 'serves very loud notice that Indonesia is back in the action game.'[12]
Mike Leeder of Impact Magazine expresses his excitement toward the film, saying that it 'proves Indonesian action cinema can stand alongside the best of the rest of the world.'[12]Free radio codes.
Accolades[edit]
| Year | Award | Category | Nominee(s) | Result |
|---|---|---|---|---|
| 2009 | Austin Fantastic Fest | Audience Award | Merantau | Nominated |
| 2010 | ActionFest | Best Film | Merantau | Won |
References[edit]
- ^'Gareth Evans and Iko Uwais talk Merantau'. Twitch Film. Archived from the original on 2012-03-09. Retrieved 2011-03-21.
- ^Brown, Todd (2009-07-23). 'Nearly Three Minutes Of Extreme Ass-Whuppery! The Trailer For Merantau Arrives!'. Twitch Film. Archived from the original on 2010-01-01.
- ^'Scenes We Love: Iko Uwais Shows What He Can Do In 'Merantau''. Film School Rejects. Archived from the original on 2013-05-12.
- ^'PIFAN Opening/Closing Ceremony'. July 2009. Retrieved 28 May 2017.
- ^'Jury Winners & Audience Winner at FANTASTIC FEST 2009 Announced!'. Ain't It Cool News. Retrieved 2011-07-06.
- ^ ab'ActionFest 2010'. ActionMovieFreak.com. April 2010. Retrieved 29 May 2017.
- ^Marsh, James. 'News: UNDISPUTED 3, 14 BLADES and MERANTAU Win At ActionFest 2010. Chuck Norris Declines Lifetime Achievement Award!'. Twitch Film. Archived from the original on 2010-06-16. Retrieved 2011-07-06.
- ^Brown, Todd (2009-07-23). 'PiFan 09 Review: MERANTAU'. Twitch Film. Archived from the original on 2009-07-27.
- ^Kurniasari, Triwik (2009-08-02). '`MERANTAU' revives Indonesia's martial arts in film'. The Jakarta Post.
- ^'Merantau Warrior'. Fortean Times. Archived from the original on 2013-10-29. Retrieved 2012-05-10.
- ^'Merantau'. Rotten Tomatoes. Retrieved 22 December 2014.
- ^ abcdef'Merantau: Reviews'. PT Merantau Films. Retrieved 22 December 2014.
External links[edit]
- Official website(Archived)
- Merantau on IMDb

| Tiger from Tjampa | |
|---|---|
| Directed by | D. Djajakusuma |
| Produced by | D. Djajakusuma |
| Written by | Alwi Dahlan |
| Screenplay by | Alwi Dahlan |
| Starring |
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| Music by | E. Sambas |
| Cinematography | Max Tera |
| Edited by | Sumardjono |
| Distributed by | PERFINI |
| |
| 97 minutes | |
| Country | Indonesia |
| Language | Indonesian |
Tiger from Tjampa (Indonesian: Harimau Tjampa) is an Indonesianblack and whitedrama film released in 1953, produced by Perfini, written and directed by D. Djajakusuma. It is still highly regarded today in Indonesia as an early portrayal in a fiction film of aspects of a traditional regional culture. Despite the numerous combat scenes as well as scenes of students practicing pencak silat, Indonesia's traditional form of self-defence, based on the movements of animals and although in the film, the lessons are conducted by a famous master, Tiger from Tjampa was never presented as a martial arts film.
D. Djajakusuma won Best Scenario for this film at the first Indonesian Film Festival held in 1955.
Plot[edit]
Set in the 1930s, and narrated like an old ballad, The Tiger from Tjampa tells the story of a young man, Lukman (Bambang Hermanto) who seeks to avenge his father's murder by learning pencak silat, Indonesia's traditional form of self-defence, based on the movements of animals. The pencak silat shown in the film is regionally specific to West Sumatra.
Lukman pleads Datuk Langit (Raden Ismail) to teach him, the man having asked him for three buffalos as payment which is beyond his means. Lukman then witnesses a man beat his opponent in a fight quite easily and begs him to teach him silat. The man agrees with the condition that his silat would not be used for oppressing the weak, but for self defense only. Lukman breaks his promise numerous times, but every time his teacher always manages to forgive him until his lessons are complete. Lukman then once defies his teacher by killing a gambler, and is imprisoned.
In jail, Lukman learns that Datuk Langit is responsible for his father's death. He manages to escape from prison and confront him, finally defeating him, after which he turns both him and himself to the authorities.
Production[edit]
Filmed largely on location in 1953 in the villages in West Sumatra, the region of the matrilineal Minangkabau people, The Tiger from Tjampa is exceptional in its evocation of a unique region and milieu. Apart from some of the main actors, almost everything in the film is from West Sumatra. All the film's varied music is from there, as are its dances. In its dialogue the film also effectively uses peribahasa - maxims and proverbs handed down for generations within oral culture - with their characteristic lilting Minangkabau rhythms. The film also displays the intense spirit of community that underlies educational practises in an oral culture.
Djajakusuma, who took this project over from Usmar Ismail, is remembered in Indonesia as one of the first to make feature films in regional areas after independence. Both as a filmmaker, and as a teacher at the Jakarta Institute of the Arts, Djajakusuma's advocacy for a cinema engaging with the regions influenced younger generations of directors to follow his example, among those being Slamet Rahardjo and Garin Nugroho.
Awards[edit]
D. Djajakusuma received the Best Scenario award at the Indonesian Film Festival in 1955.
Controversy[edit]
Tiger from Tjampa raised controversy when the female lead, Nurnaningish appeared half naked on-screen. This was a first in Indonesian cinema.
References[edit]
- http://perfilman.pnri.go.id/filmografi.php?1=1&a=view&recid=FILM-M2703 (Indonesian)
- http://www.maubaca.com/tag/nurnaningsih-pamer-tubuh-di-film-harimau-tjampa/ (Indonesian)
External links[edit]
- Harimau Tjampa on IMDb