Upon a Burning Body is an American metal band from San Antonio, Texas, formed in 2005. The band currently consists of vocalist Danny Leal, guitarist Ruben Alvarez, Bassist Rey Martinez and drummer Tito Felix. Their second studio album, Red. Green., debuted at No. 105 on the Billboard 200 in 2012. Preview, buy and download high-quality music downloads of Red. By Upon A Burning Body from 7digital Canada - We have over 30 million high quality tracks in our store.

I realize I use the phrase “ad nauseam” too much, and I also apologize a lot. I took two years of Latin in high school, which was pretty cool in ways I didn’t foresee. So you would think I would have the basic knowledge to tell you what “ad nauseam” means, but I had to Google it,¹ only to be embarrassed by its obvious meaning: “to nausea” or “to a nauseating degree.” Just like deathcore!² Sure, some scene kids got mad at their mom and threw their Suffocation and 7 Angels 7 PlaguesCDs across the room and boom, deathcore.³ San Antonio, TX four-piece family Upon a Burning Body is historically another addition to groups like Whitechapel, Suicide Silence, Carnifex, and their fanboys who joined the Suffokate-ing scene ad nauseam. Founded in 2005, these Texans have dabbled with nu-metal and “missing members”⁴ before deciding it was high time to return to their roots.

Each subsequent album since their 2010 debut has been foiled by one gremlin or another, whether it be the loss of crucial members (Red. White. Green.), lack of adequate studio time (The World is My Enemy Now), or recovering from negative publicity (Straight from the Barrio). 2019’s Southern Hostility illustrates the purest attempt at reclaiming their 2010 sound. Gone are the paper-thin nu-metal attempts or the pretentious clean vocal focus in favor of a straightforward groove-infected deathcore album laced with southern badassery. The bone-crushing breakdowns hit hard and fast, Pantera-esqe riffs and solos scorch the eardrums, the vocals show the most diversity since their debut, the musicianship is tighter and more focused, and most importantly, Leal and company aren’t taking themselves too seriously.

Upon a Burning Body is clearly having a lot of fun with this album, and their music rises above the filler for it. The killer grooves and unrelenting energy of hard hitters like “King of Diamonds,” “From Darkness,” and “Reinventing Hatred” kick open the gates with shredding riffs and kickass vocals. Danny Leal returns to form in his diverse and charismatic vocal performance, utilizing brutal lows, grating highs, and a mid-range roar. Breakdowns⁵can be a highlight in tracks like “Burn” and “The Anthem of the Doomed”⁶ and otherwise are used as emphasis, not focus. Ruben Alvarez’s solos are catchy and inject a fun-loving attitude to the crunchy sound. The southern-fried “From Darkness” makes good use of Phil Anselmo-esque clean vocals, while “Soul Searcher” uses subtle croons and melodic, almost Gothenburg, riffing to a powerful effect. Also, again, while former albums were bogged down by taking themselves too seriously, Southern Hostility is refreshing in its lightheartedness.

However, repetition is the downfall of Southern Hostility. While it is used well in the highlights, tracks such as “The Champ is Coming,” “Burn,” and “The Anthem of the Doomed” are exercises in cringy lyrics and nauseating repetition. Similarly, although the southern-inspired riffs at large are powerful, they can grow tiresome over the album’s runtime. While more “experimental” tracks like “From Darkness” and “Soul Searcher” succeed, the juxtaposition⁷ of too-loud clean vocals, somber attitude, and angry breakdowns of “Never Alone” seem more like an identity crisis. Final track and Marilyn Manson cover “Feed My Frankenstein” adds no consistency to the album, featuring jarringly different atmosphere and clean vocal focus. As a whole, the band has failed to recover since guitarist C.J. Johnson and drummer “Lord Cocos” Villareal left, leaving holes in the chaotic and punishing instrumentals they once had, and as is the case with Upon a Burning Body‘s catalog since 2010, Southern Hostility lives in the shadow of The World is Ours. Danny Leal’s vocals, while improved, do not have the vicious versatility, the rhythms and solos fail to touch upon its energy, and the freshness of its deathcore leanings has since faded.

Upon a Burning Body has succeeded in creating the second best album of the band’s career, which is both a triumph and a disappointment. Much as the majority of deathcore, these Texans don’t bring anything new to a dying dead scene, and ultimately, Southern Hostility ends up being little more than really fun gym music. It’s an adrenaline-fueled romp full of Pantera-esque grooves and boundless core energy, but little else. There are pitfalls in its songwriting and repetitions, as it perpetuates stale deathcore ideas ad nauseam. However, it rarely overstays its welcome in 36 minutes of high energy beatdowns, so if you’re into this sort of thing, you shouldn’t have to apologize for putting it on your playlist.

Regulatory agencies are given the power to regulate certain economic activities. Regulatory agencies, then, are powerful agencies. They also have the power to resolve disputes that arise concerning those rules (judicial powers). Study guide for american government 2010. Within an agency’s field, an agency has the power to make rules (legislative power) and carry them out (executive powers).

Rating: 2.0/5.0
DR: 5 Format Reviewed: 320 kbps mp3
Label:Seek and Strike Records
Websites:uponaburningbody.bandcamp.com facebook.com/uponaburningbody
Released Worldwide: June 7th, 2019

1. Sorry. ↩
2. Sorry. ↩
3. Trust me, I’m an expert. ↩
4. Danny Leal, who absolutely definitely without question went missing. ↩
5. Sorry. ↩
6. But what does that say about the music? ↩
7. For you, Ken, our resident golden retriever puppy. ↩

More Angry:

Red. White. Green. is the second studio album by American deathcore band Upon a Burning Body. The album was released on March 26, 2012 through Sumerian Records. The album was produced by Will Putney, who produced their debut album, The World Is Ours.^[4] All of the songs on the album are titled after films that Robert Rodriguez produced or directed, continuing a trend set from their debut album. It is the only album with Jonathan Gonzalez on drums and the last album with Chris 'CJ' Johnson on guitar.Music videos were made for 'Once Upon A Time in Mexico', 'Sin City' and 'Texas Blood Money'. Also, a lyric video was made for 'Mimic'. The music video for 'Sin City' was shot during a live performance at LKA Longhorn in Stuttgart, Germany.

Track listing[edit]

All lyrics are written by Upon A Burning Body; all music is composed by Upon a Burning Body.

Credits[edit]

Upon A Burning Body

• Danny Leal - lead vocals
• Chris 'C.J.' Johnson - guitars
• Sal Dominguez - guitars
• Ruben Alvarez - bass
• Jonathon Gonzalez - drums

Guest musicians

• Chris Fronzak (Attila) – Vocals on 'Mimic'
• Johnny Plague (Winds of Plague) – Vocals on 'Predators'
• Nate Johnson (Fit For An Autopsy) – Vocals on 'From Dusk Till Dawn'

Production

• Engineering – Will Putney (Fit For An Autopsy)
• Additional Engineering – Charles Busacca; Drew Fulk; Alberto de Icaza
• Mixing – Will Putney (Fit For An Autopsy)
• Mastering – Will Putney (Fit For An Autopsy)
• Artwork – 616 Visual; McBride Design
• UABB logo – Mike Belenda

Chart performance[edit]

References[edit]

1. ^Todd Lyons. 'Upon A Burning Body - Red White Green Review'. About.com. Retrieved January 6, 2013.
2. ^'Upon a Burning Body - Red. White. Green'. Allmusic. Retrieved January 6, 2013.
3. ^Dan Slessor. 'Upon A Burning Body - Red. White. Green. - Alternative Press'. Alternative Press. Retrieved January 6, 2013.
4. ^'Red. White. Green. - Upon a Burning Body - Credits'. AllMusic. Retrieved 7 June 2019.